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Cinema from Southeast Asia is increasingly attracting worldwide attention outside of festivals and specialist circles. In particular, some films from the island nation of Indonesia (such as the shocking documentary “The Act of Killing” and the brutal double action “The Raid” and “The Raid 2”) found their way into German cinemas. Something is also happening in the neighboring Philippines. The British-Filipino co-production "Metro Manila" made it to the British entry in the Oscar race for the best non-English language film. And even if it was ultimately not enough for a nomination or a theatrical release in Germany, the urban thriller with the combination of high-tension genre cinema and the committed denunciation of social grievances is definitely trend-setting. The Filipino author and director Ron Morales is now striking a similar notch with his disturbing second film “Graceland”. He paints a harrowing picture of life in Manila and, with his dramatic kidnapping thriller, is recommended for the watch lists of film lovers around the world.
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